Atlanta Entertainment Lawyer

Radio ONE: Music Meeting "Deal Makers" Edition

Radio ONE: Music Meeting "Deal Makers" Edition

I had the pleasure of sitting on the Deal Makers panel for Radio One’s annual Music Meeting to discuss :

  • Key Contract Clauses in Music

  • Common Misconceptions about Music Royalties

  • Copyright Basics

  • Protecting Creative Idea

  • Thank you to Radio One for the invitation and host Vic Jagger for leading a great conversation.

Catch the replay here:

BESLA: Legal Issues Surrounding Choreography, Street Art, and Tattoos in the Digital Age

BESLA: Legal Issues Surrounding Choreography, Street Art, and Tattoos in the Digital Age

BESLA presents: Mid-Year Conference Part II on Monday, May 23rd!

Shay M Lawson will be joining Paramount Senior Counsel Henry Behnen, Marlyne Jean Louis, and Complex Senior Counsel Nyasha Foy to discuss legal issues in intellectual property and transactions surrounding choreography, street art, and tattoos in the digital age.

Leading Ladies in Entertainment Law Panel

Leading Ladies in Entertainment Law Panel

Three of Atlanta’s top women in entertainment law for an intimate discussion on their music journeys, business knowledge, and more. Featuring panelists Amy Oraefo, and Shay M. Lawson. Beth Moore, Entertainment Attorney at Vivid IP and Georgia State House Representative will be moderating the discussion.

PODCAST: Promotion Basics for Indy Music Artists w/Moses Davis Southeast Promotions Manager Columbia Records

PODCAST: Promotion Basics for Indy Music Artists w/Moses Davis Southeast Promotions Manager Columbia Records

Is radio really dead? Do major labels care about follower counts? Moses Davis, SouthEast Promotions Manager for Columbia Records joins the podcast this week to give major label insight into what it really takes to move music and make it a hit. You can also catch this episode on youtube for the video interview.

Media Mention: Kontrol Magazine Profile

Media Mention: Kontrol Magazine Profile

Had to opportunity to chat with Kontrol Magazine giving the inside scoop on the lucrative world of social media influencers and the key to negotiating your influence into top $$$!

READ MORE HERE:

Client News: Lil Wayne Funeral #1 Billboard x Sheldon Ferguson

Client News: Lil Wayne Funeral #1 Billboard x Sheldon Ferguson

Congrats to my client Sheldon Ferguson on being a part of the #1 Billboard album from Lil Wayne entitled “Funeral”. You can hear Sheldon’s production work on Never Mind click video below to check it out

Negotiating with Confidence [Video]

Negotiating with Confidence [Video]

I’ve spent almost a decade honing my negotiation skills to get my clients network and digital television series deals, record label and publishing deals, brand sponsorship and partnership agreements with Apple Music, Youtube, Pandora, Nike, Pottery Barn and more. I negotiate not just for what they deserve but what they are truly worth and I don’t mind passing the wealth on to my readers!

Click the video and see the transcript below to learn how you can easily negotiate like a pro using the 7 tips I use as a lawyer to negotiate top dollar and amazing deals for my clients

Negotiate Like A Boss: Free Products Aren't Enough x How to Get Paid as a Social Influencer

I have done influencer deals with brands like Nike, Target, Wendy’s, Pottery Barn, and more. It is not always as simple as “charging what you’re worth” especially if you don’t know your worth just yet or have a lawyer like me to negotiate that worth with brands.

Here is the one key differences between influencers who get paid and those who just get free product:

Music Biz 101: How Do Songs Make Money?

Music Biz 101: How Do Songs Make Money?

MONEY STREAM #1: PERFORMANCE ROYALTIES

As a songwriter or producer, you get paid performance royalties every time a song containing your words or music is used commercially. This is most common when your song is played on the radio (AM/FM, satellite, or internet), live concert, TV, or restaurants. (https://www.tunecore.com/guides/how-do-my-songs-make-money).

In order to collect performance royalties, 1. you need to…