entertainment attorney

RIAA Hosts Rap on Trial Panel

RIAA Hosts Rap on Trial Panel

The RIAA hosted a panel discussion of the Restoring Artistic Protections Act introduced by Congressman Hank Johnson (D-GA) and Jamaal Bowman (D-NY) with 300 Entertainment executive Kevin Liles, BMAC co-founder Prophet, entertainment attorney Shay M Lawson, professor Jack Lerner, and attorney Dina LaPolt

Read more about the panel and the successful passage of AB 2799 in California preventing the use of rap lyrics in criminal prosecutions over on Variety here

Shay M Lawson Named to Billboard Magazine 2022 Top Music Lawyers List

Shay M Lawson Named to Billboard Magazine 2022 Top Music Lawyers List

Attorney Shay M Lawson was named to BIllboard’s 2022 list of Top Music Attorney.

FIND THE COMPLETE LIST HERE: https://www.billboard.com/pro/billboard-top-music-lawyers-2022-list/

PODCAST: Promotion Basics for Indy Music Artists w/Moses Davis Southeast Promotions Manager Columbia Records

PODCAST: Promotion Basics for Indy Music Artists w/Moses Davis Southeast Promotions Manager Columbia Records

Is radio really dead? Do major labels care about follower counts? Moses Davis, SouthEast Promotions Manager for Columbia Records joins the podcast this week to give major label insight into what it really takes to move music and make it a hit. You can also catch this episode on youtube for the video interview.

Media Mention: Kontrol Magazine Profile

Media Mention: Kontrol Magazine Profile

Had to opportunity to chat with Kontrol Magazine giving the inside scoop on the lucrative world of social media influencers and the key to negotiating your influence into top $$$!

READ MORE HERE:

Client News: Lil Wayne Funeral #1 Billboard x Sheldon Ferguson

Client News: Lil Wayne Funeral #1 Billboard x Sheldon Ferguson

Congrats to my client Sheldon Ferguson on being a part of the #1 Billboard album from Lil Wayne entitled “Funeral”. You can hear Sheldon’s production work on Never Mind click video below to check it out

Negotiating with Confidence [Video]

Negotiating with Confidence [Video]

I’ve spent almost a decade honing my negotiation skills to get my clients network and digital television series deals, record label and publishing deals, brand sponsorship and partnership agreements with Apple Music, Youtube, Pandora, Nike, Pottery Barn and more. I negotiate not just for what they deserve but what they are truly worth and I don’t mind passing the wealth on to my readers!

Click the video and see the transcript below to learn how you can easily negotiate like a pro using the 7 tips I use as a lawyer to negotiate top dollar and amazing deals for my clients

Negotiate Like A Boss: The Magic Equation to Getting Paid Your Worth

In order to negotiate for my clients to get paid top dollar I sit down with each one of them and find the answer to the magic question: Do you know your worth?

If I asked you your worth/value would you be able to state it clearly in a sentence or two?

THE ABILITY TO CLEARLY COMMUNICATE YOUR VALUE IS WHAT TURNS OFFERS FOR ‘EXPOSURE’ INTO CHECKS

Here are few examples to help you along in understanding what I mean by clearly articulating your value:

Negotiate Like A Boss: Free Products Aren't Enough x How to Get Paid as a Social Influencer

I have done influencer deals with brands like Nike, Target, Wendy’s, Pottery Barn, and more. It is not always as simple as “charging what you’re worth” especially if you don’t know your worth just yet or have a lawyer like me to negotiate that worth with brands.

Here is the one key differences between influencers who get paid and those who just get free product:

Music Biz 101: How Do Songs Make Money?

Music Biz 101: How Do Songs Make Money?

MONEY STREAM #1: PERFORMANCE ROYALTIES

As a songwriter or producer, you get paid performance royalties every time a song containing your words or music is used commercially. This is most common when your song is played on the radio (AM/FM, satellite, or internet), live concert, TV, or restaurants. (https://www.tunecore.com/guides/how-do-my-songs-make-money).

In order to collect performance royalties, 1. you need to…